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IK Multimedia Amplitube 2 With the advent of computer recording and DAW's one expects to do more and more "in the box" as opposed to hauling gear around. This applies to guitar gear as well, with guitar software modellers offering unprecedented amounts of options to the home and studio recordist. This brings us to IK Multimedia's award winning guitar plug-in software, AmpliTube 2. Installation AmpliTube 2 requires the user to register on their website for authentication, so I had to create a username and password, wait for an email from IK and validate the software. Fairly easy and straightforward process, I was done in about 5 minutes. The website also keeps you informed of downloadable updates to the software, you can browse the forums for help and swap preset patches with other users. Since the software installed painlessly on my 32-bit Windows XP system and was recognized straight away by my applications (Cubase LE4, Sony Acid 7, Sonar Producer 7, Riffworks 2) I was good to go. Features AmpliTube has several options - it can run as standalone application, providing some phrase training and functions to help the guitar player get better at a riff. You can load in a song file and then work on it with the included learning options. There is a pitch changer for transposing the file, metronome and the ability to slow down the file without changing the pitch. For the rest of the application the standalone mode is pretty much identical to the VST plugin mode where AmpliTube loads as a VST plug-in in your DAW. When you load it as a VST plug-in it is missing the phrase training options seen in the standalone. The software comes with a comprehensive manual and getting started guide, which was very well written and shouldn't be a problem for beginners to get started. Here is a list of Amplitube 2's features:
In Use In order to go in depth on this product I loaded it on my recording computer and tested AmpliTube on several mixing and recording sessions. The default install of the application had almost indiscernible latency with very little lag. The more tracks I kept adding up in Cubase, the more I had to increase the latency and real time playing through Amplitube became too slow during tracking, but this is common fare for any amp simulation software and other plug-ins. There is an option in the "Preferences" on the program to go to lower quality by turning off "High Resolution" and "Oversampling", and I had to do that while tracking a DI guitar part during a song that was about 48 tracks strong, with a heavy load of midi and virtual instruments and external samples so I needed to conserve resources. No problem there as during mixing I put the "High Resolution" settings back on since I didn't have to worry about latency. Overall I had latency between 2ms to 6ms during tracking so that was nothing to worry about. My first use of AmpliTube was as a re-amp device. I had recorded a budget demo for a friend's band. There wasn't much time to work on the guitar sounds and the amps we used were lacking, so we decided to take a safety DI signal of each tracked guitar for re-amping it later. During mixing I discovered that the original tracks didn't sit well in the mix and I used AmpliTube as one of the replacement options. It essentially became the left channel of a dual rhythm guitar recording, with the right channel being a tube preamp via H&K's Redbox speaker emulation DI. Both tracks sat very well together and the one created by AmpliTube wasn't inferior to the other chain by any means. As far as I am concerned AmpliTube passed the re-amping test with flying colors - I managed to get excellent high gain sounds. The noise gate was excellent as well as it was clamping down on the noise. What I ended up using essentially was an "Overscream" stompbox (emulation of a vintage Tubescreamer) in the "Stomp A" section, and a "Modern Hi Gain" amp which is essentially modelled after a Mesa Boogie Rectifier. I also picked in "Cab A" a closed modern 4x12 cab, condenser 87 mic and dialled in a little room ambience. The sound was reminiscent of a well recorded Mesa Rectifier and it was exactly what the client was after. On the same project I also used the plug-in for most of the lead sounds - this time "British Tube Lead 2" (reminiscent of Marshall JCM900) for the amp and some delay from the rack effects. I felt that I wanted to modify that sound a bit, thus I opted to separate the amp from its matching power section and chose to choose 50watt 6L6 configuration instead. Again - easy to dial in and in this case I ended up with a configuration that can't be done in real life. I did have some trouble dialling in a gutsy blues sound, clean amp on the verge of breakup as these are usually the hardest to do when it comes to amp simulators. I managed to get around this by using a Fender Simulator with an external overdrive pedal in the chain. Some of the effect plug ins on tap were so good that I ended up using them on other sound sources, such as piano and vocals. Any part of the chain can be bypassed so in the case of vocals I only used the rack effects' delay and reverb. As far as operation - the software is very easy to use and if you are familiar with amps and stomp boxes, which as a guitar player you should be, it is very intuitive to dial in the right sound for you. AmpliTube 2 offers presets based on some famous performers, which could be further tweaked to your liking and again saved as an user preset. There are plenty of options when it comes to amps, effects and even cab and mic options, that with the right amount of care you should be able to just plug in the guitar in your interface and go. Pros
Cons
The Bottom Line While I might not be ready to quite give up my tube amps just yet, I feel that AmpliTube 2 is a very well built software and has a huge array of useful sounds for both bass and guitar. Whether you're trying to go fully in the box or add some extra color to your guitar and bass sounds - AmpliTube 2 delivers! AmpliTube 2 |
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