Pitchfork 7.4
"Temple's delicately high-pitched voice-- situated him firmly in the realm of borderline-precious indie folkies like Sufjan Stevens and Danielson, Here We Go Magic works with a different form of alchemy. Four-tracked and supposedly cut in "a two-month period of stream-of-consciousness recording," the album filters Temple's psychedelic muse through a much more muted palette: hazy electronic textures, endlessly-spiraling lyrical loops, occasional forays into extended sections of ambience and noise".

NPR Song Of The Day For "Tunnelvision"

it's hard not to get lost in Here We Go Magic's guitars, which provide a steady pulse at the same time they drench the song in reverb and delay. By roughly the three-minute mark — around the time Temple sings, "Anything is possible" — "Tunnelvision" has become engrossing to the point of hypnosis. Which, given the band's name, makes a lot of sense.

"...His high-pitched voice recalls a young Graham Nash by way of Elliott Smith......has enough understated soul to give Conor Oberst a run for his money." – Rolling Stone

"Luke Temple has one of the most beautiful voices in pop music." – Sufjan Stevens

"Recalls Jeff Buckley's drama, M. Ward's atmospherics, and Feist's sense of play." – The Onion

"His voice alone is so damn good -- one of the prettiest voices in all of indie rock, hands down." – Ben Gibbard, Death Cab For Cutie

"a variety of romanticized and alienated imagery that's snatched straight from a time when squares were there to be looked at and made strange... Temple's various gifts amplify each other." – Pitchfork Media

"Mr. Temple isn't part of any particular school — not even that all-purpose new songwriters' catchall, freak-folk — and his private world is fascinating." – Jon Pareles, New York Times