11:11 - Rodrigo Y Gabriela [Album]
 

If you are new to Mexican classical guitar duo Rodrigo Y Gabriela and the thought of two people playing two guitars for eleven songs over forty-five minutes strikes you as slightly dull, prepare to be enlightened. The guitarists have followed up their hugely successful eponymous album with a new collection of original songs inspired by artists and musicians who have inspired them. A simple idea and one that has been treated with respect and delicacy, never letting the inspiration take over their trademark speed-flamenco style. This makes perfect sense: you are inspired by others and they shape your sound, not create it.

11:11 brings together musicians such as Santana, Hendrix and Pink Floyd as well as the more traditional Paco De Lucia. Given that Rodrigo and Gabriela cite Metallica as a major influence, and their roots are in metal, it is a shame that one of the new songs is not directly attributed to Hetfield and crew. Maybe they thought the cover of 'Orion' on the previous album was enough? This time out, there are two guest spots: Alex Skolnick from Testament plays on the tribute to Dimebag Darrell (the Pantera guitarist murdered while on stage) and the mighty Strunz & Farah also appear.

Definite highlights are the opening track 'Hanuman', a swirling mass of strings, at least three separate melodies and a central piece made to sound like an old record. Rodrigo embodies the spirit of Hendrix for 'Buster Voodoo', a four minute rock track peppered with mini guitar solos and clear riffs. The 70s style ‘wakka wakka’ piece near the end is pure genius, as is the subtle addition of the main riff which has been 'borrowed' from the Hendrix original.

'Atman' (the song for Dimebag Darrell) is at times impossibly fast. The song has a distinct ‘eastern’ feel, transforming the usual sound into something darker, brimming with menace. It races through the near six minute running time, at the end joined by the electric squealing of Skolnick to form a trio. This is the only time the ‘format’ is broken but it never overstays it’s welcome. Strunz & Farah add to the hectic arrangement of 'Master Maqui' and features some of the best playing on the album. The central piece is a breathtaking guitar solo. Savitri revisits the dark overtones of 'Atman', brilliantly using the sample of a creaking door to break the flow and announce a new direction.

As a slower interlude, 'Logos' is beautifully controlled and could be a Metallica intro. The song uses a series of rolling melodies before a sky burst of electric shimmering. This slides straight into the more traditional and faster 'Santo Domingo'. This is business as usual, as is 'Hora Zero' for the most part, doing nothing new given what has come before. That is until the last minute which contains the best sequence on the album. The short 'Chac Mool' transports the listener to the depths of the rainforest, shimmering with odd samples before a simple and elegant guitar melody.

The title track, inspired by Pink Floyd, is probably the most diverse song on the album with a wonderful Gilmore-esque clarity, plenty of slap percussion, handclaps and additional layers. It definitely has a unique lightness. The song closes the album and in an odd move, Rodrigo Y Gabriela choose to end things with a short piano piece. Beguiling to the very end.

11:11 is a glorious example of expert guitar playing. It is that simple. At times, the sound defies belief as the experience becomes a frantic blur of strings and percussion. These moments of breathtaking performance draw you in and are scattered within a familiar combination of melodies and light touches. At times 11:11 gets comfortable and safe, reverting to a traditional Spanish style and revisiting themes and textures heard before but that can be easily forgiven due to the constant flow of ideas. This is the sound of two musicians very much in control of where they are, where they came from and where they are going.

Re: 11:11 - Rodrigo Y Gabriela [Album]
 

Excellent come back review Chris, really nice and detailed. Makes me really want to check out this album. This would have been a Cream of the Crop had there been vocals in it.

Re: 11:11 - Rodrigo Y Gabriela [Album]
 

It is a pity that an instrumental track is always going to be marked down because of what it is. Maybe we should assume some convention here? Maybe to give the same score to the vocals that we do to production? Or have an N/A in the drop down that takes that zero out of the scoring calculation?

Re: 11:11 - Rodrigo Y Gabriela [Album]
 

Nah I do think that from the majority of music listeners perspective that and album without vocals is indeed not as good an album. Many people would not listen to this because it is instrumental. The reviewers tilt can be maxed to up it slightly though which was done in this instance.

Re: 11:11 - Rodrigo Y Gabriela [Album]
 

Hmm. That's a toughie. Most of the time I'd agree with you, Chris, but in this particular instance, I'm on the fence. Maybe an editor-only allowance for vocals if the album warrants it?

(shrug)

either way, this is a great review.

Re: 11:11 - Rodrigo Y Gabriela [Album]
 

I have to agree with Catshoe on this one. I was going to ask if there was a way to choose N/A for vocals rather than a score of zero that lowered the average.

Let me explain. I feel very strongly about 'instrumental' music. When it is great, the instruments collectively form a vocal track. I won't labour the point and I know it's a trite comparison but the best classical music doesn't contain a single word. The music does the talking.

A great example of this is The Hawk Is Howling by Mogwai which still is my favourite album of last year and one of the best of the decade. It contains no vocals yet swathes of guitars cry out on every song, structured, controlled and adding melodies. 11:11 does the same (although not as good, I admit). But it goes to show that you don't always need lyrics and vocals to make great interesting and compelling music.

Re: 11:11 - Rodrigo Y Gabriela [Album]
 

Yep I gotta add my backing to this, and was going to use Mogwai as an example.

I have not reviewed an instrumental release on here yet, so this has just never occured to me before - but yeah I think 'Vocals/Lyrics' should have an 'n/a' option for instrumentals.

Again, if you are going to skip out on the lyrics you should be downsized
for it. When you look at songwriting, music and melody is considered one
half and lyrics is another half. If you look at those percentages you can
appreciate the importance of lyrics in a song and why an album without words
will never sell as good as one with.

Re: 11:11 - Rodrigo Y Gabriela [Album]
 

OK answer the classical music point put forward. Beethoven has sold a few copies (if selling music is now the be all and end all).

Re: 11:11 - Rodrigo Y Gabriela [Album]
 

C'mon Heron I far from said it was the b-all and end all I am showing you that from a songwriting perspective that vocals constitutes 50%. Making vocals from a songwriting perspective as important as ALL the other music, melodies and instruments going on.

Using Beethoven as an example is not really appropriate as we are covering popular music more than classical and I maybe Beethoven would have been even bigger had he thrown some vocals in (who knows LOL).

It may seem unfair but the theory is based off of songwriting without which the music on any of these albumswould not exist.