In an Americanised fusion of Brit Pop and Post-Punk, Jupe Jupe bring together the matter-of-factness Pulp flaunted so well with the gritty, but somehow twinkling soundscape found in the songs of Modest Mouse and Blur. A-Side ‘Headlong To Ground’ is part psychedelic, part pop, creating an approachable but equally obscure fusion that gives Jupe Jupe a like-ably eccentric edge á la The Flaming Lips.
The analogue synthesizers embellishing ‘Headlong To Ground’ take on a more foundational aspect in B-Side ‘Piranha’, a pulsating synth-bass driven song that evolves slowly from a minimal beginning. Whilst constantly edging towards a climax with the baritone stabs accenting the song, ‘Piranha’ levels out to remain on a stoic plateau. This lack of build-up seems more of an aesthetic choice than a bad outcome: like a Depeche Mode song skipping into a loop, the song centralises itself around a series of fragments that layer up to create the song itself. The lack of a climax removes a certain degree of the energy from the song, energy which ‘Headlong To Ground’ has in excess, eventually leading to the harsh boarders of monotony.
Luckily ‘Piranha’ lingers a little over four minutes in true Pop style, avoiding the sort of seven-minute odyssey that the song could easily become if in the hands of a band with more progressive tendencies, but it still fails to match up to the catchiness and energy of the A-Side. ‘Headlong To Ground’ takes the Brit Pop staple of creating relatable lyrics with the glistening guitars of American indie and Post-Punk’s incessant drive to create a diverse but welcoming mix.
WATCH // 'Headlong To Ground'
The analogue synthesizers embellishing ‘Headlong To Ground’ take on a more foundational aspect in B-Side ‘Piranha’, a pulsating synth-bass driven song that evolves slowly from a minimal beginning. Whilst constantly edging towards a climax with the baritone stabs accenting the song, ‘Piranha’ levels out to remain on a stoic plateau. This lack of build-up seems more of an aesthetic choice than a bad outcome: like a Depeche Mode song skipping into a loop, the song centralises itself around a series of fragments that layer up to create the song itself. The lack of a climax removes a certain degree of the energy from the song, energy which ‘Headlong To Ground’ has in excess, eventually leading to the harsh boarders of monotony.
Luckily ‘Piranha’ lingers a little over four minutes in true Pop style, avoiding the sort of seven-minute odyssey that the song could easily become if in the hands of a band with more progressive tendencies, but it still fails to match up to the catchiness and energy of the A-Side. ‘Headlong To Ground’ takes the Brit Pop staple of creating relatable lyrics with the glistening guitars of American indie and Post-Punk’s incessant drive to create a diverse but welcoming mix.




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